Cross your fingers for us! :)



Some of you may well have seen the wonderful madness that is the Open University’s “Student Hub Live” – the interactive streamed tv show produced with the OU that brings together OU students for chats about serious study topics, support and silliness, where students can ask questions of eminent professors, academics have traded blows in our Philosophy Boxing match and rules have been completely ignored in our “Ologies” quiz.  The last few months has also seen the introduction of themed programmes on the Olympics, the EU Referendum and a Mars special.

We always say how wonderful our team is (and we haul ALL of them in on these programmes – no-one escapes!) and now this hard-working bunch have been nominated for a Times Higher Education Award for “Outstanding Support for Students” 🙂

Cross your fingers and wish us luck!

To boldly go…where no production company has been before…UHD HDR10

At Newsbyte, we always love a client looking to try new things, a client who goes for quality, a client who wants the best.  But what if they want stuff that’s so far on the cutting edge that it’s never actually been done before (okay, except perhaps by people like Sony!)?  Well, we love that, too!

***Quick tecchie bit *** Most stuff these days ends up as HD (high definition) video.  But the high data capture rates of video cameras and the large-sensor technology means we’re missing out on how ‘lush’ (that’s a technical term, obviously) the films could be.  So along comes UHD (Ultra High Definition) and HDR (High Dynamic Range).  Think of the ‘definition’ bit in UHD as being about the amount of detail you can see – individual hairs or blades of grass in a picture.  And think of HDR as being about the depth and range of brightness – so for example when people wear black on TV it often looks like a black block with no variation, but in HDR you can see the folds of the fabric; black isn’t just black.  And the gleam of a piece of jewellery or window in the sunlight becomes a super-bright glint; much more like you’d see with your eyes if you were actually there.  Put UHD and HDR together and you’ve got yourself a whole new viewing experience where highlights are brighter, where areas of gloom suddenly become areas of interest and the sunlight on water positively dazzles.***end of explanation***

So when a client asked us to shoot some material for a UHD HDR film, we said “Oh yeah!”

The shooting was a joy, with data flowing off the tasty Sony F55 camera faster than you can say…well faster than you can say anything, actually, at 1 Gbps (yes, GIGABITS PER SECOND!)…and, as we shot some things at 50 frames per second so we could do slo-mo, at those points we were creating data at 2Gbps!  It looked awesomely gorgeous.  The weather was kind, the subjects were beautiful, the film was looking great.  We dashed back each day to look at the rushes and drooled.  Put together the gorgeous kit with the lighting, direction and filming talents of Gerard Georgi-Coll, Andrew Rix and James Bushe, and you bring home rushes that look like they were shot for the latest Hollywood movie.

Now in the past, I’ve brought back beautiful rushes like this and although they’ve turned into great films (The UCL exoskeleton film being one of my favourites for lighting and beauty), the finished films have never managed to be quite as beautiful as the rushes we captured on the day.  No matter how lovely they turn out, they’re inevitably a little….’flatter’.   That’s HD for you.

So we were all excited about seeing the results.

At this point I have to leave the story hanging, as although the edit came together beautifully and the HD version was done in super-quick time (great work, Gerard!), the HDR10 version proved *somewhat* trickier.  You see, before the shoot we checked that the tech existed to produce HDR.  After all, we always deliver our promises and it was looking good.  Our edit software (Premiere Pro, a package used from Cricklewood to Hollywood) said it ‘supports the production of HDR’…we were interested to try out the (HEVC) H.265 codec which we knew existed (although for now just about everybody is still using H.264).  We knew that HDR-capable TV’s were about to hit the market..and are now for sale.  But where was all the HDR video material?  Surely someone had done it?

This is when things got tricky.  It turned out that a lot of people who were talking knowledgeably about ‘having done HDR’ were actually labouring under the misconception that it was like stills photography HDR…which is pretty much the opposite of video HDR!  Then came the complication that video HDR is so new, all the manufacturers themselves are still at the stage of working out how it will be treated by their televisions.  The files need metadata (stuff that tells the TV about what kind of data is in the file) and this isn’t yet standard across manufacturers.  We failed to find a single production company in the world who had shot some footage, edited it and turned it into something that would play successfully on an HDR TV.  We knew the large companies (Samsung in partnership with 20th Century Fox, Netflix, Amazon, probably Sony and Disney) had done it, but their work is all in-house and, of course, top secret.

However, due to our stunning tech team, the problem was solved.  They trawled forums, they made contact with boffins in Germany, they called up ‘nerds I know’ and made use of their investigative talents with contacts at ‘the big guys’.  They created metadata (using Florian Friedrich’s SEIedit), they tested and tweaked and tested again.  The ten-minute film took 29 hours to encode, with our fully-pimped edit machine’s eleven processing cores running at full steam (in fact the machine told us it was running at 111%, which seems a tad ‘drama queen’ of it).  That was a long night.

And they did it.

And we watched it.

And our jaws hit the ground.  It is stunning.  It is beautiful.  It is the future.  It is VERY annoying that I can’t post it here because virtually no-one has a monitor that can display HDR yet!

I rugby-tackled our director of photography and technical genius, Andrew Rix, to comment on this project (it was easy, because he’s tired).

“I have to say I was sceptical of the value of HDR at the beginning of the project.  I have always thought that 3D was a pretty much a waste of time and 4K not much advantage unless you had a huge screen.  I wondered if HDR was yet another fad. I suspected that it would result in a slight increase in quality…but now I’ve seen it, I don’t think ‘normal (HD)’ video will ever be quite the same again for me.  HDR is breathtaking”.

For those of you who already have HDR10-enabled monitors and TV’s, we’ll soon make some short clips available for free download in both HD and HDR10 so you can see the awesomeness of HDR by doing a like-for-like comparison.

But just for now, we’re off to crack open the champagne…and toast the beautiful, life-like HDR10 future ahead of us.



New Year… films! :o)

The start of a new year with its new film commissions is always interesting, but this year is looking busy already!  We’re already in pre-production with two films about work towards peace, trust & reconciliation for a new academic client,which feature some breath-taking images.   We’re busy pinning down a brief to produce a challenging film about infrastructure (we’ve featured infrastructure a lot before and never fail to be awed by how many miles of rail, road, pipeline, fibre and cable we have in the UK).  And we have our first live studio broadcast of the year coming up for The Open University…two days of serious thought, student support and a bit of mayhem!  We’re looking forward to working with our awesome live crew for our regular dose of set dressing, vision mixing, cable plugging, presenter cueing, biscuit dunking and of course live broadcasting!  Hope 2016 is looking equally superb for you :o)

Turning the camera on YOU…


As well as making films, we’ve been offering coaching and training for those who go in front of the camera for twenty years.  We don’t have a ‘standard’ course, because we’ve never yet found a client who had the same needs as any other.  But (just so you know) this year we’ve mainly had requests such as:

•  Academics who need to reach a wider audience; maybe filming Massive Online Open Courses (MOOCs)

•  Tech professionals who need to vlog more on topical and tricky issues in the IT world

•  Those who may be asked to make comments or act as a spokesperson in the media

•  Those who need to start doing it all themselves; planning, shooting, presenting and editing

It can feel like a tricky business, this filming thing, but if you bring us in for a day or two, you’ll suddenly find you’ve added over 55 years of production and presenting experience to your team :o)  More details from

Up up and away…

There are times when you need to get away from it all.  To film it, I mean.

Aerial filming used to be a tricky and expensive business, with our aerial shots being done from a helicopter or microlite when a crane wasn’t high enough.  But now we have a 4K camera on an awesome drone to capture breathtaking images; we’ve been particularly pleased with the shots of Hadrian’s Wall and the Avebury stone circle completed for clients recently.

As we’re a professional film company, we do it right.  Andrew Rix, Newsbyte’s co-founder, is a highly skilled CAA-approved drone pilot with the licence and insurance to match and we comply with CAA regulations as well as health and safety.

That means we can take your films to new heights (was that a bit too cheesy?), so if you need footage of geological features, historic buildings, crop circles, stone circles or the migration patterns of wildebeest within your films, just let us know.

Coming soon to Newsbyte…more technology.  The same gimble tech used in our drone has been packaged for manual use and has resulted in a compact yet awesome 4K go-anywhere steadycam.  Gone is the camera shake when filming from a car.  Gone is the need for static shots when we’re halfway up a mountain because the path is too rocky to get a smooth moving shot.  Now we really are a go-anywhere, shoot anything crew.  Look out for sneak-peeks and footage soon 😉

Woohooo! Festival winners!

Yay! Our film “The Bus Stop; London’s Agent of Change” has just won “Best Urban Design Film 2014” at the New Urbanism Film Festival in LA.

We always knew our friends at UCL Squared were ‘imagineers’ as well as engineers, but their ideas for using bus stops to not only get people to enjoy using public transport but to increase interactivity and sense of community blew away the judges and we were delighted they chose us to make the film for them. Transport for London also like the film so much they’ve asked us for a subtitled version so it can be used in noisy event environments, but winning the “Best Urban Design Film 2014” really is the icing on the cake.

Well done Gerard Giorgi-Coll who shot the majority of the footage and Andrew Rix who filmed the interview and made my job of putting the thing together very easy indeed.

I love working at Newsbyte :o)

Brand new and shiny :o)

Yes, I know…about time we had a new website, but we’ve been SOOOOOOO busy! Now at last the results of our labours can actually be seen…we were worried for a while there you’d think we were spending our time doing Soduko and dunking custard creams… Far from it!

So we hope you like it, and please give us your feedback as we always like to know how we can improve.

One note about the portfolio page…you may find yourself clicking on stuff that requires a password; this is done so our clients can approve the work before it’s published and we’re finding it a very handy feature indeed. Let’s hope you get to use it soon…more commissions, please 😀